|
|
|
Annunciation with St Emidius fg Painting ID:: 6324
|
CRIVELLI, Carlo Annunciation with St Emidius fg 1486
Oil on wood transferred to canvas, 207 x 146,5 cm
National Gallery, London
|
|
|
|
|
|
|
|
Coronation of the Virgin dgfd Painting ID:: 6325
|
CRIVELLI, Carlo Coronation of the Virgin dgfd 1493
Panel, 225 x 255 cm
Pinacoteca di Brera, Milan
|
|
|
|
|
|
|
|
Lamentation over the Dead Christ fdg Painting ID:: 6326
|
CRIVELLI, Carlo Lamentation over the Dead Christ fdg 1485
Tempera on panel
Museum of Fine Arts, Boston
|
|
|
|
|
|
|
|
The Madonna of the Taper dfg Painting ID:: 6327
|
CRIVELLI, Carlo The Madonna of the Taper dfg Panel, 218 x 75 cm
Pinacoteca di Brera, Milan
|
|
|
|
|
|
|
|
Madonna and Child; St Francis of Assisi dfg Painting ID:: 6328
|
CRIVELLI, Carlo Madonna and Child; St Francis of Assisi dfg 1471-72
Wood, 183 x 59,5 cm (each)
Mus??es Royaux des Beaux-Arts, Brussels
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
CRIVELLI, Carlo
|
Italian Early Renaissance Painter, ca.1430-1495
He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, |
Related Artists::. | Domenichino | Granville Redmond | Charles west cope RA | |
|